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News Corp transformation: Robert Thomson reveals digital revenue now over 50% for full year
Foxtel Group reports 4.6m subscribers as Kayo and Binge streaming growth outpaces broadcast decline
by Talon Admin – Aug 11, 2023
Beaming into the Future: The rise of holographic communication
Cat Bowe: "A truly interconnected global community is no longer confined to the realms of science fiction"
by Mediaweek Admin – Aug 10, 2023
Mercado on TV: Celebrate the return of RFDS and Only Murders in the Building
Plus Only Murders In The Building is back for its third season and has never been better
by Andrew Mercado – Aug 10, 2023
Lachlan Murdoch explains how Fox continues to thrive despite massive hurdles
Fox Sports and Fox Entertainment enjoy ratings success, Fox News doesn’t miss Tucker, Tubi time – AVOD giant awakens
by Talon Admin – Aug 9, 2023
Susie Porter on playing a "strong female protagonist" in Paramount+' No Escape
Susie Porter: "Women who achieve a certain amount of status in a traditionally male job have to work hard"
by Talon Admin – Aug 8, 2023
Paramount results: Direct-to-consumer revenue growth, Sells book division
Library, Paramount+ and Pluto TV key to profitability in streaming
by Talon Admin – Aug 8, 2023
"Agencies are more relevant for clients than ever": The evolution of Publicis Media Exchange
Plus: Anthony Ellis on the value of telling people ‘I want you to argue with me’
by Tess Connery – Aug 7, 2023
The Block co-creator Julian Cress on return of Nine’s unstoppable ratings success
Inside TV's hottest property: Commercial partnerships, casting, the judges, the houses and that reserve price controversy
by Talon Admin – Aug 6, 2023
Nine's Head of Content Adrian Swift on the authenticity of The Block
Adrian Swift: "Drama is something you've got to be very careful of"
by Talon Admin – Aug 4, 2023
Prime Video's The Lost Flowers of Alice Hart is more than just a TV series, it's a way for people to find "peace"
Sarah Lambert: "This is our lived experience and our story"
by Talon Admin – Aug 4, 2023
