Gravity Media Australia confirmed as production hub for two new HELIUM productions

Gravity Media Australia’s Production Centre in Sydney has been confirmed as the production hub for two of HELIUM’s new television productions, We Interrupt This Broadcast and Australia’s Most Identical.

We Interrupt This Broadcast is a project for the Seven Network, while Australia’s Most Identical has been commissioned by the Nine Network.

Founded by Mark Fennessy in 2021, HELIUM has experienced growth through a number of commissions across various platforms.

See also: Seven and HELIUM raise the stakes with Ultimate Escape, coming in 2023

Saul Shtein, director, production and content at Gravity Media said, “I have worked with Mark in the past, and it is great to be able to maintain such a solid working relationship. It’s fantastic to have Helium’s CEO, Therese Hegarty, and the production teams from Helium here in our creative atmosphere.
 
“Helium’s decision to utilise the production facilities at Gravity Media Australia confirms our increasing presence in broadcast technology and facilities provision for major television production companies and complements Gravity Media’s complete “turn-key” production for major projects across broadcast and subscription television and streaming services.”

Through its studios, production, and post-production centres, outside broadcast facilities and specialist camera technologies, Gravity Media Australia is currently involved with major production companies, television networks and pay television and streaming platforms in Australia across projects including Australian Ninja Warrior, The Masked Singer, Australia’s Got Talent, and I’m A Celebrity.

Gravity Media also has technology, facilities, and production partnerships across many of Australia’s major sports events.

Additionally, Gravity Media’s Production Centre in Sydney is an integrated full-service broadcast and television and film production centre comprising two large studios and complete in-house production services and facilities. To oversee every shoot, there are two control rooms, taking care of audio mixing, graphics, EVS playback, post-production, encoding and distribution. 

See also: Paramount+ and Mark Fennessy’s Helium begin filming Last King of the Cross