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Record revenue and profits continue: News Corp reports full year results + reaction (updated)
Foxtel streaming revenues from 2.8m Kayo and Binge customers offset broadcast declines
by Mediaweek Admin – Aug 9, 2022
Beverley McGarvey on the future of content as Paramount+ turns one
"It's about ensuring that we have local content that appeals to all audiences"
by Talon Admin – Aug 8, 2022
Stepping into a picture on Great Southern Landscapes with Rachel Griffiths
• "We wanted to launch the show with mostly very iconic and recognisable artists and works"
by Tess Connery – Aug 8, 2022
Andy Lee on how the show is using The Hundred in different ways for season three
• "Our stats pretty much lined up with what has been reported in the paper and by the ABC"
by Tess Connery – Aug 8, 2022
Could Premier League choose one global TV partner? Yes, but after Optus deal ends
Demand for premium sport not going away, and there will be more buyers
by Talon Admin – Aug 7, 2022
Why Adam Hills says Spicks and Specks 2022 was "the hardest season" to make
• Plus: How changes in music listening habits have impacted the show
by Tess Connery – Aug 7, 2022
"It's a $5 billion show": How The Block is bigger and better in 2022
• "This year, we've upsized everything significantly"
by Talon Admin – Aug 6, 2022
How My Kitchen Rules brought some serious cooking chops to its new season
• Seven’s head of reality Sylvia D'Souza on the show's grand re-entrance
by Tess Connery – Aug 4, 2022
Why The Masked Singer 2022 has "premiere season energy"
• EP Tamara Simoneau on unmasking TV’s most chaotic show
by Tess Connery – Aug 4, 2022
Out West with Arka Das: ABC puts Western Sydney on a national platform
• "I wanted to deep dive into the food culture and communities of Western Sydney in a positive way"
by Talon Admin – Aug 4, 2022
