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"Nothing sells itself": Nine's Michael Stephenson on the commercial impact of the Olympic Games deal
Plus: The significance of Brisbane 2032 broadcast rights
by Tess Connery – Feb 9, 2023
Fetch TV reveals renewed long-term channel distribution agreement with NBCUniversal
Four-channel deal includes continuing access to Universal TV, Oxygen, CNBC and MSNBC
by Mediaweek Admin – Feb 9, 2023
Ink+Iris co-founder Rachada Tepsatra shares her honest thoughts on working four days a week
Tepsatra: "After our six-month 4DW trial, our people can not only do their work in 4 days, but they can do it better"
by Alisha Buaya – Feb 8, 2023
Responding to a changing market: Behind the Body+Soul rebrand
Editor-in-Chief Jacqui Mooney: "This new Body+Soul is going to be more multi-platform than ever"
by Tess Connery – Feb 8, 2023
Vivienne Kelly: The White Ribbon communications challenge
"Not all accounts are created equal"
by Vivienne Kelly – Feb 8, 2023
Criteo CPO Manuela Montagnana on improving diversity and female representation in the industry
Montagnana: "our industry has opportunities to become more creative and reflective of society in general"
by Alisha Buaya – Feb 7, 2023
"People like stories about themselves": Andy Lee on why people keep coming back for more of The Hundred
"I always believe in what I'm doing and I'm proud of it."
by Talon Admin – Feb 7, 2023
Why Triple M's Sydney Breakfast lured Mick Molloy out of his radio hiatus
Plus: Which team he’s set to support now that he’s firmly in NRL territory
by Tess Connery – Feb 6, 2023
"Honest portrayals": Bringing infertility into the spotlight on Big Miracles
"infertility can affect anyone, it doesn't discriminate"
by Tess Connery – Feb 5, 2023
Samsung Ads global study researches how audiences rate ads on streamed TV
The study found that ads within FAST/AVOD environments are perceived as shorter and less disruptive
by Mediaweek Admin – Feb 3, 2023
